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The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.
Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film.
A moment where he rises from the sea is reminiscent of Ursula Andress in Dr. No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].
Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.
Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.
It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster.
The script showed him as a vulnerable, troubled, and flawed character. Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.
It was a Bond that the public wanted. However, the film met with mixed reactions from other critics.
Rob Gonsalves of eFilmCritic. Though American radio personality Michael Medved gave the film three stars out of four, describing it as "intriguing, audacious and very original In December , Casino Royale was named the best film of the year by viewers of Film The film appeared on many critics' top ten lists of the best films of From Wikipedia, the free encyclopedia.
This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale.
British theatrical release poster. Casino Royale soundtrack. Film portal James Bond portal s portal. Retrieved 6 May Retrieved 21 November Campbell on Casino Royale".
Retrieved 22 March Retrieved 16 June Retrieved 23 October The New York Times. Retrieved 20 June Retrieved 10 March Retrieved 7 December Retrieved 5 March Retrieved 29 April Archived from the original on 2 April Retrieved 17 April Retrieved 5 August Wilson said actors had been considered".
Retrieved 4 April Retrieved 3 November Archived from the original on 18 April Retrieved 23 March Retrieved 8 November Retrieved 10 August Retrieved 11 October Retrieved 15 May Archived from the original on 21 October Retrieved 12 September Archived from the original on 19 March Retrieved 3 April Retrieved 2 April Archived from the original on 14 April Retrieved 27 December Retrieved 4 March Archived from the original on 2 September Ernie Els Official Website.
Archived from the original on 18 June Archived from the original on 11 October Retrieved 9 August Retrieved 29 January Retrieved 26 July Retrieved 16 March Retrieved 28 February Retrieved 30 January Retrieved 29 March Retrieved 20 March Retrieved 15 August Craig is the Bond with a Midas touch".
Archived from the original PDF on 25 May Retrieved 9 September Archived from the original on 27 April Retrieved 19 November Archived from the original on 16 December Retrieved 9 December Archived from the original on 18 January Retrieved 5 July Retrieved 29 July Retrieved 3 June Casino Royale Movie Censorship: Craig is not Bond".
Retrieved 10 December Archived from the original on 26 January Retrieved 17 November Archived from the original on 25 January Retrieved 21 March Retrieved 30 March Archived from the original on 9 August Retrieved 13 May Archived from the original on 18 May As critics ramp up, dark horses are at the gate".
Archived from the original on 26 July Retrieved 3 July Time Out New York. Retrieved 11 June Archived from the original on 3 January Retrieved 27 October Archived from the original on 26 February Retrieved 28 October The New York Observer.
Retrieved 5 October Retrieved 25 March Retrieved 2 September Archived from the original on 4 June Retrieved 4 June Retrieved 14 April Archived from the original on 9 February Retrieved 25 February British Academy of Film and Television Arts.
Archived from the original on 30 September Archived from the original on 12 February Retrieved 30 April Archived from the original on 22 February Casino Royale and The Queen take top honors in awards for well-reviewed films".
Archived from the original on 5 February Mystery Writers of America. Retrieved 19 March Archived from the original PDF on 2 March Archived from the original on 20 February Retrieved 31 March Taurus Worlds Stunt Awards.
Archived from the original on 10 March Retrieved 23 January James Bond in film. List of films Filmography. Le Chiffre Vesper Lynd. And I hope he gets to wear that tuxedo again and again and again.
I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
James Bond is back, and as it turns out, he's been gone a lot longer than anyone even realized. And the new Bond is blond. Daniel Craig has comfort ably slipped into the tuxedo, size , and left audiences shaken and stirred.
When Bond kills an adversary in a hotel stairwell, the violence is nasty and brutal - and you feel bystander Vesper's shock and revulsion too. She doesn't merely wince and get over it, as so many of her predecessors did; she's clearly traumatised.
Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world.
This is a much more serious Bond than we've seen in many years. Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery.
Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.
Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.
It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.
Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.
Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.
Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.
It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.
Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.
Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.
Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.
The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series. The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.
Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.
Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.
Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.
Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.
Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.
Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.
It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by.
But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.
Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.
Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.
It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.
Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.
The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.
Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.
Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.
He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.
Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.
Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.
What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.
Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.
It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.
Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.
Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.
The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.
The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.
The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper. For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.
All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.
He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.
He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.
Casino Royale is a great, gripping spy thriller and arguably the finest of all the James Bond films. While it is slightly too long and a little too candid with some of its product placement, it remains an extraordinary reinvention of a franchise which had long been in need of a boost.
Craig impresses in his first and finest performance as Bond, and Martin Campbell directs with great common sense and precision to create a majestic and immensely enjoyable film.
Whether looking at the newer films or the franchise as a whole, this has set a very high bar which has yet to be beaten. With Daniel Craig reinventing the role like never before, Casino Royale reboots the Bond franchise with gusto and intelligence not seen before in the long running franchise.
Thanks to the best story of the series to date, Casino Royale features the right blend of exhilarating action and heart pounding drama.
Daniel Craig is the best Bond since Connery and for my money the best actor to play the character. The fact that the series hasn't reach the heights of this film before or since only makes it an easier decision as my all-time favorite film in the franchise.
Even casual fans can get their money's worth out of this. If you only watch one Bond film, make it this one. Daniel Craig revitalizes the Bond franchise the same way Bale saved Batman.
This was a throwback to the good ol days of Connery Bond. Almost all the the good stuff i heard about Casino is true. It is indeed one of the best Bonds ever and I'm really looking forward to the next installment.
Now - I hate when people say this but here goes - this movie was just too darn long. Don't even TRY to introduce a romance two hours into a film.
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Part of the Collection: View All Videos 1. View All Photos James Bond's first mission takes him to Madagascar, where he is to spy on a terrorist Mollaka.
Not everything goes as planned and Bond decides to investigate, independently of the MI6 agency, in order to track down the rest of the terrorist cell.
Following a lead to the Bahamas, he encounters Dimitrios and his girlfriend, Solange. He learns that Dimitrios is involved with Le Chiffre, banker to the world's terrorist organizations.Von fünf Regisseuren trickreich inszeniert. Er will nichts mehr mit Geheimdiensten zu tun haben, selbst ein Schreiben der Königin kann ihn nicht umstimmen. Mit einem mächtigen Unternehmen namens Quantum im Rücken, scheint Greene auch weniger ehrenhafte Ziele zu verfolgen. Le Chiffres Vertreter Percy Herbert: Noah, jemand aus seiner Umgebung und daher über jeden Schritt bestens informiert ist. Mit Poker gegen den Terror: Bond hatte sich einst zurückgezogen, nachdem er seine heimliche Liebe Mata Hari hatte überführen und damit dem Henker ausliefern müssen. Bond greift sich Vesper, die vor Schreck einen Kassierer tötet. Sir James Bond Orson Welles: Sollte Le Chiffre scheitern, müsste er sterben. Navigation Hauptseite Themenportale Zufälliger Artikel. Mehr eine Schau und insgesamt unbefriedigend.
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