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Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November , and 31 October , including two performances of The Merchant of Venice.
In Cymbeline , for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: The ghosts fall on their knees.
It contained 36 texts, including 18 printed for the first time. Alfred Pollard termed some of the pre versions as " bad quartos " because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory.
The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers. In the case of King Lear , however, while most modern editions do conflate them, the folio version is so different from the quarto that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion.
In and , when the theatres were closed because of plague , Shakespeare published two narrative poems on sexual themes, Venus and Adonis and The Rape of Lucrece.
He dedicated them to Henry Wriothesley, Earl of Southampton. In Venus and Adonis , an innocent Adonis rejects the sexual advances of Venus ; while in The Rape of Lucrece , the virtuous wife Lucrece is raped by the lustful Tarquin.
A third narrative poem, A Lover's Complaint , in which a young woman laments her seduction by a persuasive suitor, was printed in the first edition of the Sonnets in Most scholars now accept that Shakespeare wrote A Lover's Complaint.
Critics consider that its fine qualities are marred by leaden effects. In , two early drafts of sonnets and appeared in The Passionate Pilgrim , published under Shakespeare's name but without his permission.
Published in , the Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership.
It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with the sonnets "Shakespeare unlocked his heart".
The edition was dedicated to a "Mr. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe , whose initials appear at the foot of the dedication page; nor is it known who Mr.
Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama.
The grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted.
However, Shakespeare soon began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama.
At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles.
He increasingly tuned his metaphors and images to the needs of the drama itself. Shakespeare's standard poetic form was blank verse , composed in iambic pentameter.
In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable.
The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at the end of lines , with the risk of monotony.
This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet. Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind: Sir, in my heart there was a kind of fighting That would not let me sleep.
Methought I lay Worse than the mutines in the bilboes. Rashly— And prais'd be rashness for it—let us know Our indiscretion sometimes serves us well After Hamlet , Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies.
The literary critic A. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical".
These included run-on lines , irregular pauses and stops, and extreme variations in sentence structure and length. The listener is challenged to complete the sense.
Shakespeare combined poetic genius with a practical sense of the theatre. This strength of design ensures that a Shakespeare play can survive translation, cutting and wide interpretation without loss to its core drama.
He preserved aspects of his earlier style in the later plays, however. In Shakespeare's late romances , he deliberately returned to a more artificial style, which emphasised the illusion of theatre.
Shakespeare's work has made a lasting impression on later theatre and literature. In particular, he expanded the dramatic potential of characterisation , plot, language , and genre.
The Romantic poets attempted to revive Shakespearean verse drama, though with little success. Critic George Steiner described all English verse dramas from Coleridge to Tennyson as "feeble variations on Shakespearean themes.
These include two operas by Giuseppe Verdi , Otello and Falstaff , whose critical standing compares with that of the source plays.
In Shakespeare's day, English grammar, spelling, and pronunciation were less standardised than they are now,  and his use of language helped shape modern English.
Shakespeare was not revered in his lifetime, but he received a large amount of praise. Between the Restoration of the monarchy in and the end of the 17th century, classical ideas were in vogue.
A series of scholarly editions of his work, notably those of Samuel Johnson in and Edmond Malone in , added to his growing reputation.
During the Romantic era , Shakespeare was praised by the poet and literary philosopher Samuel Taylor Coleridge , and the critic August Wilhelm Schlegel translated his plays in the spirit of German Romanticism.
The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde.
The Expressionists in Germany and the Futurists in Moscow mounted productions of his plays. Marxist playwright and director Bertolt Brecht devised an epic theatre under the influence of Shakespeare.
The poet and critic T. Eliot argued against Shaw that Shakespeare's "primitiveness" in fact made him truly modern.
Wilson Knight and the school of New Criticism , led a movement towards a closer reading of Shakespeare's imagery.
In the s, a wave of new critical approaches replaced modernism and paved the way for " post-modern " studies of Shakespeare. He encloses us because we see with his fundamental perceptions.
Shakespeare's works include the 36 plays printed in the First Folio of , listed according to their folio classification as comedies , histories , and tragedies.
In the late 19th century, Edward Dowden classified four of the late comedies as romances , and though many scholars prefer to call them tragicomedies , Dowden's term is often used.
Boas coined the term " problem plays " to describe four plays: Around years after Shakespeare's death, doubts began to be expressed about the authorship of the works attributed to him.
Shakespeare conformed to the official state religion, [k] but his private views on religion have been the subject of debate.
Shakespeare's will uses a Protestant formula, and he was a confirmed member of the Church of England , where he was married, his children were baptised, and where he is buried.
Some scholars claim that members of Shakespeare's family were Catholics, at a time when practising Catholicism in England was against the law.
The strongest evidence might be a Catholic statement of faith signed by his father, John Shakespeare , found in in the rafters of his former house in Henley Street.
However, the document is now lost and scholars differ as to its authenticity. Scholars find evidence both for and against Shakespeare's Catholicism, Protestantism, or lack of belief in his plays, but the truth may be impossible to prove.
Few details of Shakespeare's sexuality are known. At 18, he married year-old Anne Hathaway , who was pregnant. Susanna, the first of their three children, was born six months later on 26 May Over the centuries, some readers have posited that Shakespeare's sonnets are autobiographical,  and point to them as evidence of his love for a young man.
Others read the same passages as the expression of intense friendship rather than romantic love. No written contemporary description of Shakespeare's physical appearance survives, and no evidence suggests that he ever commissioned a portrait, so the Droeshout engraving , which Ben Jonson approved of as a good likeness,  and his Stratford monument provide perhaps the best evidence of his appearance.
From the 18th century, the desire for authentic Shakespeare portraits fuelled claims that various surviving pictures depicted Shakespeare. That demand also led to the production of several fake portraits, as well as misattributions, repaintings, and relabelling of portraits of other people.
From Wikipedia, the free encyclopedia. English playwright and poet. This article is about the poet and playwright. For other persons of the same name, see William Shakespeare disambiguation.
For other uses of "Shakespeare", see Shakespeare disambiguation. John Shakespeare father Mary Arden mother. Shakespeare's plays and William Shakespeare's collaborations.
Thou art more lovely and more temperate Shakespeare's reputation and Timeline of Shakespeare criticism. Shakespeare bibliography and Chronology of Shakespeare's plays.
Religious views of William Shakespeare. Sexuality of William Shakespeare. Under the Gregorian calendar , adopted in Catholic countries in , Shakespeare died on 3 May.
In addition to presenting the town with a statue of Shakespeare, Garrick composed a doggerel verse, lampooned in the London newspapers, naming the banks of the Avon as the birthplace of the "matchless Bard".
See Shakespeare's collaborations and Shakespeare Apocrypha for further details. See Chronology of Shakespeare's plays for further details.
This motto is still used by Warwickshire County Council , in reference to Shakespeare. Rowse , the 20th-century Shakespeare scholar, was emphatic: His will made that perfectly clear — in facts, puts it beyond dispute, for it uses the Protestant formula.
Adams, Joseph Quincy A Life of William Shakespeare. University of Illinois Press. Politics, Plague, and Shakespeare's Theater: The Soul of the Age.
Retrieved 23 April In Cheney, Patrick Gerard. The Cambridge Companion to Christopher Marlowe. Changing Styles in Shakespeare. The Books and School of the Ages.
The Invention of the Human. Bloom's Shakespeare Through the Ages. Shakspere and His Predecessors. On Editing Shakespeare and the Elizabethan Dramatists.
University of Pennsylvania Press. Essays in Honour of Kenneth Muir. In Levine, Robert Steven. The Cambridge Companion to Herman Melville.
Sonnet 20 and the politics of pedagogy". Shakespeare's Works and Elizabethan Pronunciation. A Study of Facts and Problems. Craig, Leon Harold Of Philosophers and Kings: University of Toronto Press.
Education in Tudor and Stuart England. The Cambridge Encyclopedia of the English Language. The Making of the National Poet: Shakespeare, Adaptation and Authorship, — An Essay of Dramatic Poesy.
Dutton, Richard; Howard, Jean E. A Companion to Shakespeare's Works: The New Cambridge Shakespeare. The Review of English Studies.
In Nelsen, Paul; Schlueter, June. Performance Matters in Shakespeare and his Contemporaries. Fairleigh Dickinson University Press.
Frye, Roland Mushat The Art of the Dramatist. Shakespeare and Modern Theatre: The Performance of Modernity. In de Grazia, Margreta ; Wells, Stanley.
The Cambridge Companion to Shakespeare. Will in the World: How Shakespeare Became Shakespeare. Greenblatt, Stephen ; Abrams, Meyer Howard , eds.
The Norton Anthology of English Literature. The 'Lost Years' Revised ed. Johnson, Samuel [first published ]. Selections from the Work that Defined the English Language.
Jonson, Ben [first published ]. AND what he hath left vs". The First Folio of Shakespeare 2nd ed. Kastan, David Scott The Age of Shakespeare.
The Oxford Handbook of Shakespeare. Playing Companies and Commerce in Shakespeare's Time. Shakespeare's Life and Work. The Cambridge Companion to Shakespeare Studies.
The 'Bad' Quartos and Their Contexts. Mays, Andrea ; Swanson, James 20 April Archived from the original on 21 April Retrieved 31 December Shakespeare and his Rivals: A Casebook on the Authorship Controversy.
Some Contexts, Resources, and Strategies in his Playmaking. Mowat, Barbara; Werstine, Paul n. Retrieved 30 December That Is the Question".
The New York Times. The Author, the Editor and the Translator: Such Is My Love: A Study of Shakespeare's Sonnets. University of Chicago Press. Shakespeare Quartos and Folios: A Study in the Bibliography of Shakespeare's Plays, — Verstegen states that Gildhelm was a title of bravery awarded to a German for killing Roman soldiers in battle.
The honored soldier was lifted on a shield and a golden helmet of a dead Roman soldier was placed upon his head, and the soldier was honored with the title "Gildhelm", or "golden helmet".
With the French the title was Guildhaume, and Since Guillaume. Latin Guielmus   "Helm" could also refer to the golden diadem or crown of a king as was common in the later days of the Roman empire.
The name Wilkin is also of medieval origin taken from the shortened version of William Will with the suffix "kin" added. From Wikipedia, the free encyclopedia.
For other uses, see William disambiguation. For other uses, see WM disambiguation. William the Conqueror The name William became very popular in the English language after the Norman conquest of England in by William the Conqueror.
This article is missing information about the etymology of "Bill". Please expand the article to include this information. Further details may exist on the talk page.
This list is incomplete ; you can help by expanding it. Meaning, Origin and History of the Name Roger". Retrieved from " https: Given names English masculine given names German masculine given names.
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